Day 17 — fallow + souls

The Climate Change book I finished today concludes with several chapters on fertility — both the earth’s & the author’s. In so doing she mentions a beautiful word I have long loved & long wanted to use in a poem. That word is fallow. The poem isn’t quite there, though the verse I’m gonna share, is close. It also prompted a parallel poem instead of a Poetic Factoid.

*****

fallow

by growing single crops super-intensively
the brutal industrial-agricultural industry
has abandoned an ancient methodology
for keeping the earth fertile — they forget fallow

so desperate are they for continuous every increasing
crop yields they dump on (usually chemical) fertiliser, irrigate heavily 
& dump more chemicals on to kill the weeds, insects & other pests 
that thrive on monoculture

more traditional agricultural societies 
use natural methods to maintain soil fertility 
including allowing fields to lie fallow 
rest, regenerate and re-submit energy into the soil
often by planting nitrogen-fixing legumes 
like beans into a variety of crops grown side by side. 

but even if the moderns can’t do this
they can allow fields to rest fallow
let the dirt grow dormant, 
go quiet, move more slow
rest recuperate recharge

fallow also works in humans

*****

Day 17 A special +1 poem

A love poem with a difference. 100 years.

fallowsoul

Souls, like farm fields,
need to lie fallow for a time
before returning richer than before
so rest now in that far off fallow gold sea
— & may we meet again in the years that follow

Day 4 – Cave at Sunset + baby porcupine poem

Day 4’s challenge was to write a Triolet: rhyme scheme ABaAabAB (where capital letters represent lines repeated verbatim). Such formal structure poetry is always a challenge until you find the right line to serve as the spine. I’m not sure I quite have yet, but it’s a darn sight better than the original version.

*****

Excerpt from Cave at Sunset

From dark within the cave breathes earth
And the wild fireflies all fail to shine
Leaving every heart bereft of mirth

Funfact Day 4 – a baby porcupine poem

baby porcupines are called 
quite rightly & quite cutely
porcupettes/

{& nothing more of this poem was written
as the poet spent the reminder of his time
absolutely & overwhelmingly smitten
watching videos & googling porcupics online}

Day 21 – sacrifice zones

Big extractive companies don’t care where the goodies are; don’t care what has to be destroyed to get to them; just hope a new source of fossil fuels isn’t found near your place.

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sacrifice zones

big mining, petrochemical companies
& heavy industry — that is: extractivists — 
are all compelled by their gross beliefs

there are places that don’t matter
there are people that don’t matter
they must think this so these matter

less  nothings can be strip-mined-open-pit 
mined-clear-felled-transformed into toxic
waste dumps-dug up-drained-destroyed 

so air can be poisoned
so effluent can be pumped into rivers
so soil can be contaminated with heavy metals

& they will to continue to extract
in order to continue making a profit
they will continue to sacrifice everything

even the   earth   herself

Day 19 – poem about bed

19 autumn_feeling_by_bittersea CROP

NaPoWriMo continues despite a long day prepping for & running a production meeting. So the following formula: very tired + little creative juice = quick pome.

bed

you brought autumn into our bed
which was fine while the leaves

were still soft & smelt of earth
— now they crackle when i snore

& you are long gone though
i refuse to change the sheets

Day 6 – 2016 Miles Franklin Longlist

dry-salt-creek-murchison-western-australia-DJ7R9X copy

Whichever way you spin it, today was a good day. As an earlier post stated, it was the first day of my Poets Residency at Adelaide City Library. For three hours I was paid to be a poet, paid to interact with the public and talk poeting, and paid to write poems.

Today I am spoiled for choice (I wrote several title poems today). Today is also the day of my first truly solid poem.

I chose, as the clever among you may have worked out, to use the 2016 Miles Franklin Longlist titles as the basis for my Title Poem today. The longlist was announced yesterday and the titles are all glorious. I defy anyone not to write a good poem using them. However, to be fair, I was the most lax/playful/non-rule-bound today of any Word Game so far this NaPoWriMo. & so …

 

Australian pastoral

the hands that work the earth
know the natural way of things

of the never coming rain
of the hope we farm

this burnt black rock
so far from the white city

the river’s a ghost, the creek salt
where fish no longer leap

these dirty hands know
the world will go on, without us

..
So yeah! Pleased with that. That is pretty much an archetypal roi jones kinda poem.

Tomorrow will be a new game for a new week.

Here for those interested, is the full list. Look forward to reading them…

Tony Birch for Ghost River (UQP)
Stephen Daisley for Coming Rain (Text)
Peggy Frew for Hope Farm (Scribe)
Myfanwy Jones for Leap (Allen & Unwin)
Mireille Juchau for The World Without Us (Bloomsbury)
Stephen Orr for The Hands: an Australian pastoral (Wakefield Press)
A.S. Patric for Black Rock White City (Transit Lounge)
Lucy Treloar for Salt Creek (Pan Macmillan)
Charlotte Wood for The Natural Way of Things (Allen & Unwin)

& a link to a Sydney Morning Herald article about the announcement.

dry-salt-creek CROP flip.jpg