Day 17 — fallow + souls

The Climate Change book I finished today concludes with several chapters on fertility — both the earth’s & the author’s. In so doing she mentions a beautiful word I have long loved & long wanted to use in a poem. That word is fallow. The poem isn’t quite there, though the verse I’m gonna share, is close. It also prompted a parallel poem instead of a Poetic Factoid.

*****

fallow

by growing single crops super-intensively
the brutal industrial-agricultural industry
has abandoned an ancient methodology
for keeping the earth fertile — they forget fallow

so desperate are they for continuous every increasing
crop yields they dump on (usually chemical) fertiliser, irrigate heavily 
& dump more chemicals on to kill the weeds, insects & other pests 
that thrive on monoculture

more traditional agricultural societies 
use natural methods to maintain soil fertility 
including allowing fields to lie fallow 
rest, regenerate and re-submit energy into the soil
often by planting nitrogen-fixing legumes 
like beans into a variety of crops grown side by side. 

but even if the moderns can’t do this
they can allow fields to rest fallow
let the dirt grow dormant, 
go quiet, move more slow
rest recuperate recharge

fallow also works in humans

*****

Day 17 A special +1 poem

A love poem with a difference. 100 years.

fallowsoul

Souls, like farm fields,
need to lie fallow for a time
before returning richer than before
so rest now in that far off fallow gold sea
— & may we meet again in the years that follow

Day 22 — The Lord of the Fools + LOTR

Over the course of a month lots of ideas get tested & abandoned. Several lines in this poem were previously homeless yet coagulated into this one. As for the Poetic Factoid Poem — Warning. There’s a big *BIG* TRIGGER WARNING on this one for people who don’t feel/think they’re as old as they really are.

*****

Lord of the Fools


dirt beneath my nails
clawing the claybanks
for your return


dream of trees


a lifetime to learn
the dead do not
dance back to life
on the whim 
of a lonely man

a mere heart beat
to make it proof

can’t craft the words
the way my brain feels them


impossible imposter


need to learn another language
to remember how to speak my own


lost days 


try drowning myself 
in every river


but even there i’m evicted

*****

Day 22 — TIL something deeply disturbing about the Lord of the Rings films

the Lord of the Wrinkles

i. meme
read a brutal meme 
today which said
Viggo Mortensen 
is the same age 
Ian McKellen was
when he played 
Gandalf.

NO, I AM NOT OKAY
I CANNOT POET
ANY MORE TODAY
SORRY! GOODBYE!!

ii. data
naturally, being a fool
i had to check 
the veracity 
of cursed meme
— turns out 
it’s even worse
Aragorn’s older 
than Gandalf
was at the end
of Return of the King

time for a cuppa & a lie down

Principal photography 11 October 1999 — 22 December 2000
with pick-up shots done from 2001 to 27 June 2003.

Viggo born October 20, 1958 (current age 64)
45 when started filming, 49 when finished 

Ian born 25 May 1939 (current age 83)
60 when started filming, 64 when finished 

Day 12 — geology & non-standard measuring system

Trying to capture the claustrophobia of going underground.




resting


i don’t know how far i’ve come
no idea how far to go
only know
the path seems to be thinner
the path narrower
the way darker
the stones heavier above me


try not to think
of the weight
of all that earth 
& rock
& mud & shale & clay
& gravel & scree & boulder & slate
& soil, sod, clod, loam, silt, dirt, turf & dust


point

Day 12 – TIL about pandas & dairy

buttergrams & buttermetres

A newborn giant panda 
is about the size 
of a stick of        butter.

Since when did butter
become a socially approved
measurement unit?

In which case (for context):

I weighed 31.23 sticks of butter
& was 10.23 buttersticks long
at my birth!

Day 24 – glory (& well, more glory)

24 climate-and-seasons-bgwa.jpg

Thoughts which have been broiling round in my brain while driving round the Barossa these past few weeks as Vintage wraps up, have finally coalesced into a reasonable poem. (After a bit of a biological brush up on the process of leaf colour changing.)

*****

senescence

i
with the arrival of mechanical harvesters
the Valley lost much of its vivid autumnal charm.
over violent shaking of the vines strips a quarter
or more of the leaf cover & startles the remainder
into a state of shock. though improved technology
has recently reduced the trauma & restored slightly
the brilliant explosions, breathtaking feast-your-eyes
yellow-golds, gorgeous scarlets, cheekblushing-crimsons,
redhued-rubies, winedark-purples, outrageous-oranges.
but still, slowly, the old ways die.

ii
a smilier malaise is affecting the less prevalent,
but still present, deciduous population. normally
as daylight declines & the nights grow long & cold,
chlorophyll production slows as plants recycle
& ship to storage those molecules ready for next season.
the domineering chlorophyll, no longer in the ascendancy
allows the always-present but lushly masked
complex chemistry compounds called carotenoids,
yellows & oranges, to have their moment in the sun
(as it were); before the red, pink, & purple pigments
responsible for sunscreen, light protection & pest prevention
kick in to complete the slow motion fireworks display.

iii
but this year’s long dry summer means unhealthy
water-stressed trees seem to be cutting their losses
carte blanche by snap-drying then rapidly dumping
instabrown dry paperwisps; terraforming the sky
to the same dusty brown as the droughtbaked dirt
                                                                                          it mirrors


 

BONUS POEM: April 24, 2018

A place Mum & I had to visit. & somewhere I think I’d love to live.

2019 EDIT: minor tweaks to improve flow, rejambed enjambment, & various images given extra bite. All in all, at least a 50% better poem than previous incarnation.

*****

sitting on the Doc’s step

after driftwalking
half in the world
the rest in my own head ;
limbo rambling in
artfully framed narrative ;
& the much messier
more inconveniently laid
out reality ; I sit on
his fake slate step —
wanting ; wishing ; hoping
to someday leave
such a through
looking-glass legacy
for other daytrip
dreamers

24b doc martin's house.jpg

Day 30 – The Last Thing Remaining on My List

Last night, dear friend & wonderful poet, Louise Nicholas, launched her first, very beautiful, full-length collection of poems, The List of Last Remaining through 5 Islands Press. It was a fabulous warm funny (mildly drunken) night.

Today, after dipping my way in & out of the collection, I have taken the last line of her poem, “How to scale a fish” & tweaked it to use as the title of today’s poem.

moonlight, unearthed

& so it’s come : to that time : of life : to once again : take out the tools of excavation : to dust off : my brooms & tiny brushes : sharpen my trowels : put pads on my ageing knees : & get down in the pit : in the dirt : dig down through the layers : the strata of my happiness : & my grief : to uncover the bones : & broken pottery : & terracotta floors : of true love : lost : of childhood : lost : of embryos : washed down drains : blood on thighs, over tiles, over everything : & to keep digging : until all that’s left to see : is an empty grave : a soul shaped hole : a silver wash : of moon : light : & salt

fish scales

Last line: “as if unearthed in moonlight”

Day 6 – 2016 Miles Franklin Longlist

dry-salt-creek-murchison-western-australia-DJ7R9X copy

Whichever way you spin it, today was a good day. As an earlier post stated, it was the first day of my Poets Residency at Adelaide City Library. For three hours I was paid to be a poet, paid to interact with the public and talk poeting, and paid to write poems.

Today I am spoiled for choice (I wrote several title poems today). Today is also the day of my first truly solid poem.

I chose, as the clever among you may have worked out, to use the 2016 Miles Franklin Longlist titles as the basis for my Title Poem today. The longlist was announced yesterday and the titles are all glorious. I defy anyone not to write a good poem using them. However, to be fair, I was the most lax/playful/non-rule-bound today of any Word Game so far this NaPoWriMo. & so …

 

Australian pastoral

the hands that work the earth
know the natural way of things

of the never coming rain
of the hope we farm

this burnt black rock
so far from the white city

the river’s a ghost, the creek salt
where fish no longer leap

these dirty hands know
the world will go on, without us

..
So yeah! Pleased with that. That is pretty much an archetypal roi jones kinda poem.

Tomorrow will be a new game for a new week.

Here for those interested, is the full list. Look forward to reading them…

Tony Birch for Ghost River (UQP)
Stephen Daisley for Coming Rain (Text)
Peggy Frew for Hope Farm (Scribe)
Myfanwy Jones for Leap (Allen & Unwin)
Mireille Juchau for The World Without Us (Bloomsbury)
Stephen Orr for The Hands: an Australian pastoral (Wakefield Press)
A.S. Patric for Black Rock White City (Transit Lounge)
Lucy Treloar for Salt Creek (Pan Macmillan)
Charlotte Wood for The Natural Way of Things (Allen & Unwin)

& a link to a Sydney Morning Herald article about the announcement.

dry-salt-creek CROP flip.jpg